Understanding the Arts: Literature and Cinema

Level: Open to students entering grade 9 or 10 in fall 2014.
Session: I, June 23-July 11, 2014
Days & Time: Monday-Friday, 10:00 AM-12:00 PM and 2:00-4:00 PM
Instructor(s):
Peter Conolly-Smith ,
George LaVoo,
Related Courses: Students interested in this course might also be interested in Understanding the Arts: Art History and Architecture or Introduction to Creative Writing.

I’ve become a more intelligent and worldly person...” - Camila Wise, 2013

Course Description

A two-course curricular option for students wishing to develop their appreciation of film and literature. Both courses meet daily, one in the morning, the other in the afternoon.

What is Great Literature?
Peter Conolly-Smith

Students attempt to answer this question by examining a number of literary works, seeking to determine what differentiates great literature from mere entertainment. They analyze selected scenes from Shakespeare and examples of his poetry, as well as works by writers such as Keats, Shelley, Emerson, Poe, Melville, Stevenson, Hemingway and Fitzgerald. Through readings, class discussion, film clips, and short essays, students enhance their ability to write, speak, and think effectively about literature.

The Art of Moving Pictures
George LaVoo

In this course students explore film as a serious mode of artistic expression and a rich source of cultural information while taking into account its role as a phenomenally popular form of entertainment.  Students learn the basics of film language through brief lectures, discussions, and screenings of a variety of film clips, short films, and feature films. Each class gives participants the opportunity to compare and contrast the cinematic elements at work. Students come away having increased their visual literacy and having heightened their knowledge of the methods filmmakers use to tell stories visually. They gain full comprehension that cinema is an art of “moving pictures.”  Students keep a daily film journal and work on final projects which are presented orally with film clips (readily available) to support their explorations and discoveries.  

Instructor(s):

Peter Conolly-Smith

Peter Conolly-Smith received his Ph.D. in American Studies from Yale University. He has worked extensively in fiction and documentary film and teaches history, culture, and film at CUNY-Queens College, where he received the 2009 President's Award for Excellence in Undergraduate Teaching. He is the author of Translating America (Smithsonian Press, 2004), as well as numerous academic articles on ethnicity, culture, film and history.

George LaVoo

George LaVoo wrote and produced Real Women Have Curves, winner of the Sundance Film Festival Audience Award for Best Dramatic Film. Real Woman was selected for over 50 international film festivals, and a print of the film is in the collection of the Museum of Modern Art. For HBO Films he directed A Dog Year, staring Jeff Bridges in an Emmy Nominated performance. For the SyFy Channel he wrote the original screenplay for the shoe-string budgeted thriller Blood Monkeys, starring Oscar-winner F. Murray Abraham. He was the producer of the micro-budget film Getting to Know You, based on short stories by Joyce Carol Oates (selected for Sundance and the Venice Film Festival and winner of the Critic's Prize at the Stockholm International Film Festival). Previous to his work as a screenwriter, producer, and director, LaVoo gained a broad range of experience in the film and television industry, including stints in marketing at an independent film distributor and as a story editor for a network television production company. At the Cannes Film Festival he received Variety's prestigious "10 Producers to Watch" Award. He is an adjunct professor at the School of Visual Arts and a working indie filmmaker in Brooklyn with several projects in development. Currently he is writing a screenplay based on the the cult favorite novel The Exes for British producer Andrew Bendel. LaVoo received his B.F.A. in film from NYU.

Specific course information, such as hours and instructors, are subject to change at the discretion of the University.